2016 World Wood Day Folk Art Workshop presented diverse forms of wooden folk art from 10 countries and 6 Nepali ethnic groups. Through a series of exhibition, demonstration and workshops, it offered an opportunity for participants to reflect on attitudes towards traditional woodcrafts. Even though some of them are vanishing due to modern development, wood still plays a prominent role in connecting people with nature and culture.
On 25 April 2015, with a magnitude 7.8 Earthquake hit Nepal and major aftershock on 12 may 2015, Nepal was in disaster. The earthquake caused a massive damage to people and heritage sites including Changu Narayan area where the oldest temple in Nepal is located. This video showcases the spirit behind the renovation of the Changu Narayan, and full size replica of the Shiva temple on the 2016 World Wood Day event.
The XIV World Forestry Congress, themed “Forests and People: Investing in a Sustainable Future,” was grandly held in Durban, South Africa from 7 to 11 September 2015. Gathering the world forestry’s sectors every six years, it serves as an important platform for experts and stakeholders to discuss related key issues and explore ways to sustainability. International Wood Culture Society (IWCS) and World Wood Day Foundation (WWDF) also took part in the exhibition and discussions to promote wood culture, a way to remind people that forest is our roots. The diversity of culture and diversity of ecological system are interconnected. We all grow and bind together and therefore, efforts by individuals and groups, big or small, are significant in building our sustainable future.
Renowned sculptor David Best, who has designed and built nine Burning Man temples at Black Rock Desert and various temples in other countries, and his crew, made of volunteers from the United States of America, were invited to create a community stupa in honor of the people of Nepal who suffered greatly from the 2015 earthquakes. The construction site located in Bungamati, a well-known traditional woodcarving village that has had more than 70% of its buildings damaged in the earthquakes. The Temple Crew cut and drilled rough-hewn logs and planks into manageable blocks that were strung on iron rebar and fashioned into the shape of a classic Nepali stupa. This stupa is composed of thousands of pieces of wood representing earthquake victims. Along with bringing international attention to the ongoing wood carving tradition of Bungamati, this project also helped to rejuvenate the community by interacting with local people and artists. The stupa is currently displayed at the Nepal Academy and will eventually be moved back to Bungamati.
The 2016 Collaborative Project kept exploring the possibilities among traditionally-different practices through teamwork as 20 collaborators came together to create wooden sculptural works in Bhaktapur. Together with interactive playground equipment that created a safe wood environment for school children, an installation consisting of 282 carved bricks by 130 artists rose to bring hope of renewal to the community. It was an inclusive venture between creative minds and the community where skills were shared, artistic thinking was challenged, and authentic partnerships were forged through a process of collective ownership, fellowship and mutual respect. This cross-border platform encourages communal interactions while offering younger generation new experiences to discover the art in wood that is both educational and entertaining.
Woodturning is more than crafting; making things out of wood on a lathe can be experienced as relaxing, soothing, satisfying, and even therapeutic. A diversified learning platform, the AAW International Symposium is dedicated to all enthusiasts with world-class demonstrations and the largest showcase of turned-wood objects. Many are inspired and developed a keen interest in woodturing and others may even find a light of hope through the creative process. It is the positive attitude towards life that makes a difference.
2015 World Wood Day-Wood Culture Festival was held in Şişli, Istanbul, Turkey. This event comprising wood music, folk art, and other interactive activities offers a great opportunity for the public to approach wood culture.
This Wood Culture tour will introduce you to the primary music genres and wooden instruments in Turkey. The musical culture of Turkey is shaped and influenced by the multiple ethnicities within Anatolia region through out history. It can be categorized into two genres, Anatolia Folk music and Ottoman/Turkish Maqam music. Traditional Instruments also fall under these categories as well. We will explore the materials the instruments are made from, their history, and the bound between the instruments and musicians.
Lin Yao was born in 1987 in Wenzhou, Zhejiang, and started to learn Pipa (Chinese lute) at 6 year old. She is the chief Pipa player in Wenzhou Folk Music Group and a music teacher in Wenzhou School for Special Education. Pipa is a short-necked, four-stringed plucked Chinese lute. It is one of the oldest Chinese musical instrument with a history over 2,000 years. Modern pipa appears as a shallow, pear-shaped body with a wooden belly, along with 29 or 31 frets. The four strings run from a fastener on the belly to conical tuning pegs in the sides of the bent-back pegbox. Its name suggests the plucking direction: pi, "to play forward," pa, "to play backward." The strings of Pipa that once made of silk, are now usually replaced with nylon-wrapped steel.