IWCS had the opportunity to attend the American Association of Woodturners (AAW) 26th International Symposium on 8-10 June 2012 at the San Jose Convention & Cultural Facilities. It was 3 days of interesting demonstrations and exhibits that showcased the art and craft of woodturning. Turners and collectors from around the world attended. It was great meeting fellow wood enthusiasts dedicated to the art and craft of woodturning.
The American Association of Woodturners (AAW) is an international, nonprofit organization dedicated to the advancement of woodturning.
With a nice outcome from AAW's San Jose meeting, IWCS was honored to have Terry Martin as a guest speaker representing AAW to symposium at ZHEJIANG Agriculture and Forestry University in China in September 2012. To spread the idea of Turners Without Borders, Terry showed a different aspect of woodturning and knowledge to local wonders through an excellent demonstration.
The tactile experience in the 2013 AAW Symposium is an enjoyable program designed especially for the visually impaired participants. The video presented shows the participants turning pens with instructors’ assistance and experiencing fun and joy of woodturning. Through this video, the viewers will have very different understanding of the art of this woodcraft technique.
The 2nd National Vocational & College Student Carpentry Skills Competition, hosted by the International Wood Culture Society (IWCS), was held in Changsha on Oct. 27, 2013. It was co-organized by the Central South University of Forestry Science and Technology.
Concurrently with the 2013 International Wood Culture Symposium on Taxodiaceae, a competition was held on making wooden stools using Chinese fir. The aim of the activity was to promote the culture of traditional Chinese woodwork, to display and improve vocational & college students' hand carpentry skills, and inspire creativity and passion for carpentry among students.
Applications for the competition opened in July this year, the competition theme was confirmed in September, and design drawings were submitted a week before the competition. Sixteen students from four vocational schools and eleven universities came together on Oct. 27 to show their talents. During the four-hour competition, the students completed a variety of creative work using saws, chisels, axes, planes, using snap lines, drills, and making mortises. Later during the assessment, every competitor explained to the audience their ideas and purposes, and the functions, features and technical difficulties of their work.
The judges were Professor Yang Ping from the faculty of education, Kumamoto University in Japan; Mr. Yang Jinrong , director of the Jiangsu Gongmei Hongmu Culture & Art Institute; and Professor Li Zhen from Tongji University College of Architecture and Urban Planning. They evaluated the works with seven criteria: design and creativity, production skill, the completion of the works, accuracy and quality, structure, material utilization and interpretation. Li Nie from the Xiuning First Senior Vocational School won first place.
Wood, being a naturally eco-friendly and renewable resource, is fundamental for sustainable development, and a low-carbon society and environment. How to master the properties of wood, make full use of the material, and combine theory with practice are key elements. Wood education teachers have a long way to go and expectations on students are high. Such carpentry skill competitions should inspire more passion for wood and carpentry among young people and promote the culture of traditional Chinese carpentry to create competent practitioners for the future.
Woodcarving Introduced to School Campus
The opening ceremony for the 2013 China-ASEAN Live Wood Carving Exposition and Student Woodcarving Art Festival was held at Guangxi University.The exposition was held in the leafy, shaded square behind the Forestry College at Guangxi University. A large audience, mainly teachers and students, visited the on-site wood carving show over the first 2 days. 20 students from the university also joined the carving team for the festival, while learning and communicating with the artists.
More than 200 students pursuing majors in wood science and technology took part in this activity. In tandem with the exposition and festival, Mr. Yang Jinrong, expert of Chinese Hongmu art and culture, and Mr. Terry Martin, Australian wood artist, gave the students two very impressive lectures.It was a good opportunity for the students to communicate with professional wood carvers face-to-face, and also to start the process of combining wood science with culture. Wood carving, as an art form, has taken its place on the campus.
Different Cultures, One Homeland
The 11 sculptors were from different cultural backgrounds and use different carving styles, but all of the works were created under the same theme, Homeland, and they all used the same scented wood, Camphor.The art works of the 4 artists from ASEAN countries reflected their lifestyles and beliefs. They shared the history and culture of South-east Asian countries with us.Malaysian artist Taufik carved the national flower of Malaysia, the Bunga Raya, while Indonesian artist Sutarya Hrfsor carved the Lotus Flower that is common to both Buddhism and Islam. Indonesian artist I Kadek Parta selected the Ramayana story from Indian history.
Nature and Home, Full of Humanity and Spirit
In the Chinese group, the 7 artists came from Dongyang and Yongjia of Zhejiang province, Xianyou of Fujian province, Lushan of Sichuan province, and Jianchuan of Yunnan province. Their creative works combined modern and traditional skills, reflecting their feelings and dreams about homeland.
Both Xu Yongping and Jin Liquan chose the subject of mother to show their ideas about homeland. Zheng Guodi used the Chinese traditional subject Three Sheep keeping watch on the home. Yang Huanpei’s carving was like a poem and depicted his fantasy homeland, Dali.
Wang Haibo, from Dongyang, Zhejiang province, was the youngest wood carver. He applied Dongyang relief carving skill and used his lively imagination to present us with a Chinese traditional scroll painting, a whole dreamland picture of Peach Blossom Valley.
Wu Xiaomei’s piece was particularly thought-provoking. She showed us a broken house after the earthquake this year in Sichuan, quite a courageous choice.
Wang Guohua, from Xianyou, Fujian Province, took just 2 days to finish his work. He generously incorporated the natural bark and growth-rings of the tree in his piece. As he said, “Human beings need generosity and tolerance, and so does nature. Our home should be a tolerant home.”
During the event, Terry Martin, Australian wood artist and a representative of the American Association of Woodturners showed his splendid woodturning technique to the audience in Guangxi University and CAEXPO. His demonstration aroused considerable interest among the crowds.
Highlight of Forest and Wood Products Expo
After Guangxi University, the 2013 China-ASEAN Live Wood Carving Exposition continued at the International Conference and Exhibition Center on 15-17 November, and was a highlight of the Forest and Wood Products Expo.
Mr. Terry Martin, Mr. Feng Wentu, Master of Chinese arts and crafts, and Mr. Yang Jinrong, expert of Hongmu art and culture, were the judges. Zheng Guodi, Yang Huanpei, Sutarya Hrfsor, I Kadek Parta, Taufik and Duangmala Wanlop won prizes for “Outstanding Traditional Value”; Xu Yongping and Jin liqun won prizes for “Special Design”; and Wang Haibo, Wang Guohua and Wu Xiaomei won prizes for “Special Creativity”.
The 2013 China-ASEAN Live Wood Carving Exposition was organized by IWCS, and co-organized by the China-ASEAN Expo Secretariat, Forestry College of Guangxi University, and Jiangsu Hongmu Culture and Arts Institute, and Supported by the China National Forest Products Industry Association, IUFRO-Division 5.
Concurrently with the wood carving exposition, IWCS also organized the 4th China-ASEAN International Wood Culture Forum. Both activities promoted communication, basic academic research and the practice of wood culture in the China-ASEAN area and contributed to the integration of art and culture into the Forest and Wood Products Expo.
The Race of Rabelo Boats is an annual competition which first started in 1983. Held in the second biggest city in Portugal, the competition aims to preserve the tradition of Porto wine transportation. Cellars alongside Douro River are sponsors who are also responsible for the maintenance and repair of each Rabelo boat.